Jimi Hendrix Johnny Winter at the Scene Club! Check out this sick-assed picture of Jimi playing bass while Johnny Winter blows his mind on the guitar at Steve Paul's Scene Club in New York City! This was taken in 2/69. The Scene Club is legendary as are Jimi's 1968, after hours, jams there. Jimi recorded all of them on a reel-to-reel that he put in the club. All of these tapes were stolen when Jimi died.
There's a recording of Jimi, Johnny, and a drunken Jim Morrison at the Scene from 1968. The Doors played for three weeks straight at the Scene during this time, resulting in the Scene's biggest box office draw. Jimi came to jam after hours and ran into a stone-drunk Jim Morrison. In the interview below, Johnny Winter says that he WAS NOT at this jam. However, I think that I can clearly hear his voice going: "Whoa!" after Morrison utters his first XXX scream of obscenities. Additionally, Johnny states that Stephen Stills was not at a Record Plant jam with Jimi and himself. It has been confirmed that Stephen Stills was there. So... Johnny's memory is a bit hazy. I will paste that part below and you be the judge.
In 1964, Steve Paul opened the Scene as a hangout for actors, musicians and theater workers associated with Broadway; live music was limited to a house pianist. The club was located in the basement of 346 West 46th Street, in the Hell's Kitchen area of New York City. In 1966 the entertainment shifted to Rock music acts and involved such groups as The Young Rascals, The Lovin' Spoonful, and Andy Warhol & those associated with him, including the Velvet Underground.
Briefly, the club closed but reopened with the assistance, financial and otherwise, of such persons as Peter Yarrow, Allen Ginsberg and Tiger Morse. It became particularly popular with Jimi Hendrix, who regularly performed there after hours, in jams with other notable musicians. In fact, the first New York performances of the Jimi Hendrix Experience were at The Scene, on June 3 and 4, 1967, subsequent to Steve Paul seeing the band at the Monterey International Pop Festival. Hendrix went on to lead the club’s legendary late-night jam sessions the following year.
The Scene closed in 1970. According to Sterling Morrison, then of the Velvet Underground, the closure was prompted by Steve Paul's refusal to pay protection money to the New York Mob. This resulted in fights being started at the club, placing its liquor license in jeopardy
Read Iterview with Johnny Winter about Jimi:
UniVibes: When did you first meet Jimi Hendrix?
Johnny Winter: I met him at The Scene club that my manager Steve Paul had in 1968. Jimi was always at The Scene when he was in New York and we played many times together. He was just everywhere - he went out and jammed everywhere he was. There was a club called The Experience where he always went when he was there - no matter where he went he would go out and play with whoever was around and do a lot of recording with other people, just recording the jamming. They would be down at the club all night and then whoever was sober enough he would bring back to the studio at the end of the night - you know, he really did like to play!
UV: What was your impression of Jimi as a person rather than as a musician?
JW: I never really got to know Jimi as a person. He was always involved in music and never talked about anything `serious' [OK, we know what he means!]. We talked about music and that was it. He didn't seem like a very open person as far as talking about his problems and things like that... He would never say, `Hey man, I really don't feel good today.' He would just keep to himself if he didn't feel good. I'm sure he had a lot of people he was closer to than me that he did talk to, but he just didn't seem to be that open a person except about music and that was what he did, you know. I don't what he was like as a person.
UV: You recorded at the Record Plant with Jimi, Stephen Stills and Dallas Taylor. What do you remember of that?
JW: Yeah, well, I recorded at the Record Plant with Jimi and I played with Dallas and Stephen at The Scene but I don't think they were on the record though. I don't think they were at the studio but I'm not real sure - it's been a long time! [note: Stephen Stills confirmed that the session at the Record Plant was with Jimi, Johnny, Dallas and himself].
UV: You recorded Guitar Slim's `The Things We Used To Do'...
JW: Yeah, we did. That just came out on [`Lifelines', 1990]. I've got it on cassette, there are four cassettes, a whole lot of things he did in different ways and some stuff that hadn't been released before. It's a kind of interesting bunch of tapes and `The Things I Used To Do' was on that. It was OK for an impromptu kind of jam.
UV: You're sometimes credited as playing on a Jimi Hendrix bootleg called `Sky High' along with Jim Morrison and others playing `Red House', `The Sunshine Of Your Love' and several other songs...
JW: Oh, I never even met Jim Morrison! There's a whole album of Jimi and Jim and I'm supposedly on the album but I don't think I am `cause I never met Jim Morrison in my life! I'm sure I never, never played with Jim Morrison at all! I don't know how that [rumour] got started.
UV: You were at the Band of Gypsys concert at Madison Square Garden on 28 January 1970 where Jimi walked off the stage. What did you think was wrong with him?
JW: I dunno. I heard all kinds of things like he took some bad acid... Who knows? I was there that night and it was real obvious that something was wrong. I really don't know if it was drugs or he just had a bad night, but it was really scary. I don't have the faintest idea what it was but it was one of the scariest things I ever saw.
UV: Can you remember when you last saw Jimi?
JW: No, I sure can't. He was around pretty much all the time. I was always running into Jimi some place but I really don't remember the last time.
UV: If he had lived what do you think he would have gone on to do? Do you think he would have gone on to greater things?
JW: I think he would have definitely done better things. I've never seen anybody who loved to play more than him and he always had some kind of an idea. I don't know whether it would have been in a commercial way or he might have come up with something very strange but he was always up with new ideas. I think if he had lived he would have stayed as great as he always was. He would have probably had to go through some pain to do it but I'm sure things would have been OK.
This interview was previously published in UniVibes issue 4, November 1991